![]() In the back, a confessional is presided over by a huge spider so you can admit your sins against the earth. Outside, Saraceno has built sculptures which double as houses for insects and animals. The film in the middle gallery follows Saraceno’s work with indigenous communities in Argentina fighting against lithium mining for phone batteries and launching a manned flight powered only by the sun, all while calling out the economic and ecological injustices of the global north. The gallery’s even created a web portal – get it? – so you can get the diniver to ask the spider your own questions. Using vibrations and patterned leaves, they ask the spiders to choose a path for them to follow. ![]() The first film you see here is about Cameroonian spider diviners who speak to their arachnid mates to find answers to life's big questions, like the octopus who predicts World Cup results. He’s not the first person to be inspired by the wisdom of spiders. He’s collaborated with spiders in his Berlin studio for years, creating an interspecies art project designed to draw attention to urgent ecological issues, confronting viewers with the idea that if we work together – as a planet, not just as a species – we might just be able to make a difference. Coming off it are countless, twisted conceptual strands for you to pull apart. The Argentinian artist has filled a room at the Serpentine with curving, complex, splintered structures built by actual spiders, vast insect architecture that shimmers with life and beauty. It’s a tangled web that Tom á s Saraceno has weaved, literally and conceptually.
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